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This collection documents the ceremonies and related events of Commencement and/or graduation exercises at The College of New Jersey spanning 1858 to the present day.

The collection includes the following materials:

Commencement invitations - These are formal printed invitations that may include a student’s calling card or handwritten details during the Normal School years, as well as commercially printed invitations used to date, c. 1869-2005 (bulk c. 1869-1920, 1977-2005).

Class Day and/or week programs - These are often beautifully printed and bound with cord and tassels, which likely served as a keepsake for students of the Normal and Model Schools. They list the schedule of activities for a graduating class during a day or over the span of a week. In some cases, they also include the Commencement program (c. 1894-1924).

The Normal and Model Schools classes of 1917 did not have a Class Day, but instead participated in Red Cross activities supporting World War I. The Model School as a K-12 school ended after the class of 1917, when it became “The Training School” offering only the elementary grades. In the 1930s, official Class Day or Week activities were replaced by less formal “Senior Week” activities, which continued off and on over the decades. Search The Signal newspaper for more information https://dr.tcnj.edu/handle/2900/275

Commencement tickets - These are admission tickets to the Normal or Model School Commencement ceremonies, usually at Taylor Opera House, c.1873-1901.

Commencement programs - These are printed programs of the Commencement ceremony, often containing the names of all graduating students. During the Normal School years, some have various embossed and/or multicolor illustrations of the school, insignia, or decorative lettering. Later programs have fewer design elements. The collection is mostly complete after 1891 with the exception of 2000, c. 1883-2023.

Promotion Exercises programs - These were for the Grammar A Class of the Model School, which held a graduation-style ceremony, c. 1909-1917.

Class and school songs - These are separate printed pages of songs to be sung during Commencement and other graduation events, usually containing a unique song for the graduating class and other school anthems and/or alma mater, c. 1899-1901.

Baccalaureate programs - These were printed as separate programs c. 1934-1964, but during the Normal School years, information about the Baccalaureate service was listed in the Class Day/Week or Commencement programs.

Programs for departmental, diploma, or other special graduation ceremonies - These are programs for Commencement events held outside of the main ceremony, often for graduate students or special groups, c. 1967; c. 2016-2023.

Original speeches - There are two handwritten speeches: “I Have Wandered in my Dreams,” is a Commencement speech from 1870 whose author is unknown. The Annual Report for that year lists Mary F. Chadwick and Rosalie A. Collins as presenters of "honorary essays," and Katie L. Wilson was valedictorian. And "The Child's Ability to Reason" was a valedictory essay written by Ira Collins, but read by O. Watson Flavelle, due to Collins’ ill health at June 1899 Commencement.

Graduation or Commencement Bulletins - These are newsletters that contain information and schedule of events around the Commencement ceremony. c. 1969-1999

Graduation Convocation program - During some years, the college held an August graduation combined with the annual Convocation ceremony. These programs document those ceremonies, c. 1960-1967.

Scrapbooks - There are two scrapbooks in this series: The older scrapbook (c. 1873-1921) contains ephemera related to Commencement such as invitations, tickets, and programs for Senior class activities and the Commencement ceremony from the era of the Normal School.

In the 1908-1932 scrapbook, many of the Commencement programs only have the page with the events of the day and do not have the cover and/or a page listing the graduate’s names. Starting in 1918, some of them have the page with graduates’ names, but they were at one time pasted into a notebook that has since been disassembled but the back pages of the brochures may not be accessible and/or readable.

Annual group portraits of graduating classes. Many years have graduating classes in February and June. There are a small number of group portraits of Model School classes through 1912, as well. Additionally, there are a handful of faculty group portraits.

The majority of the materials are related to Haskell’s education from primary through graduate school, with additional items from her early career and retirement. The Correspondence Series contains her first teaching recommendation letter in 1915, a teaching appointment notice, and a few personal letters ending in 1954. The Grade Cards and Transcripts Series span her eighth grade year in 1909 through a master’s degree program in 1938. The Ephemera Series comprises dinner and event programs she attended in her early career from 1923-1939. The Clippings Series (1937-1955) cover a variety of topics, as well as coverage of the 1955 Trenton State College centennial. The Prints Series includes four etchings or reproductions of St. Petersburg Florida churches inscribed: “for Mr. and Mrs. J. W. Wilhelm” by Will Kay Hagerman (Kent Hagerman). The Certificates and Diplomas Series span from her primary school years in 1904 through 1946. They include, among other items, her Normal School diploma and bachelor’s degree, as well as membership certificates to honorary sororities, Red Cross volunteer service, and her marriage certificate to Josiah Haskell.

Content warning: Some of the yearbooks from 1911 through the 1930s contain racist illustrations of figures in blackface and minstrel characters, as well as inaccurate, derogatory, and/or offensive depictions of Asian and Indigenous people.

The first issue of The Seal was focused on the history and activities of the Class of 1911 and included sections on “class prophecies,” “statistics” of each student, a calendar of the year’s past events, poems, ditties and songs, vignettes of events in each department and hall (dorm) life, listings of the literary societies as well as social clubs (such as “the red mice” and “the clammy six”), a group portrait of the class and some of the societies and clubs, and advertising from Trenton businesses. The seniors were listed in a directory and did not have individual portraits. The next yearbook, 1912, had a similar format, but also included a list of faculty members, as well as photographs of the campus buildings. Starting in 1915, there were individual portraits of graduating seniors (1913 had individual portraits as well, but not 1914). The format remained fairly consistent afterward, however a few issues from the 1920s also have the Juniors, or class of February of the next year listed in the book with the previous May graduates. The Yearbook Club had several name variations, including: Year-Book Club, Year Book Club, or just “Yearbook” or “Seal.”

The collection is complete from 1911 until The Seal ceased publication in 2017. No issue was printed in 1944 due to World War II restrictions.

In addition, there are a few folders of ephemera, correspondence, photographs, obituaries, and other clippings taken from books formerly belonging to Vivian Rolandelli, Kenneth Weber, and Jessie Turk.

This single page leaflet marks the transition between the Normal and Model Schools in Trenton and the modern institution known as The College of New Jersey in Ewing. Aside from celebrating "Alumni Week-End" (the equivalent to today's homecoming, though held in the Spring), the celebrations marked the schools' 76th anniversary and the cornerstone-laying for the first building at Hillwood Lakes, Green Hall. No transcription.

This program booklet dates from the cornerstone laying of the Hillwood Lakes campus's first building, Green Hall. This event marked a transition point for the college away from the city of Trenton, and several notables were invited to attend. No transcription.

This program documents a production of "The Shoes that Danced," by the American poet and author Anna Hempstead Branch, put up by "The Laboratory Theatre" at the State Teachers College. The play, which was staged in 1935, would have been one of the earliest in Kendall Hall, which first opened in 1932. Like with the production of "Romeo and Juliet" a decade earlier, it appears that students, with teacher guidance, put together most aspects of the play. No transcription.

This collection contains the literary and social critique publications of the college, with the exception of The Signal newspapers and fraternal and sororal organizations' newsletters. The collection is divided into 12 Series:
Series 1, So to Speak, 1938
Series 2, Sigma Phi Alpha Poetry Contest, 1938-1939
Series 3, Sophomore English Majors Publications, 1950-1956
Series 4, The Chimes/Chimes, 1957-1980, T.S.C. Poetry Review: Chimes, 1980-1983, Lion's Eye/The Lion's Eye, 1984-present
Series 5, The Trenton Review, 1966, The Trenton State College Review 1990-1996, The College of New Jersey Review, 1997-2005
Series 6, Utimme Umana: La Voz Oculta, 1972-1990
Series 7, Fire II, 1973-1987
Series 8, Gumption, 1980-1983
Series 9, Emanon Enizagam, 1986
Series 10, Siren, 1995-2007